Hotel Atlantico - Movie Poster - 27 x 40 Inch (69 x 102 cm)
- You are looking at a great poster.
- This poster measures approx. 27 x 40.
- Rolled and shipped in a sturdy tube.
- This poster is from Hotel Atlantico (2009)
Witless Protection also benefits from some oddball casting. Yaphet Kotto costars as FBI Agent Alonzo Mosely (the name of his character in the classic Midnight Run). Peter Stormare, the silent, creepy kidnapper in Fargo, portrays a corrupt businessman with an unaccountable British accent. In a baffling cameo, Joe Mantegna seems to be channeling Strother Martin, while Jenny McCarthy serves up some sa! ss as Larry's waitress girlfriend, nuff said, and a game Eric Roberts is a goon who butts heads with Larry in an epic fight scene. Some jokes are stale (Larry dredges up Regis Philbin's Who Wants to Be a Millionaire catch-phrase), while others are current enough to reference Michael Vick and Angelina Jolie. It is a sign of artistic growth that Larry does not utter his own signature catch-phrase, so we won't either. Witless Protection was released theatrically during Oscar weekend, when Hollywood celebrates supreme achievement in film. This is what is known in the business as counter-programming. --Donald LiebensonStudio: Lions Gate Home Ent. Release Date: 09/02/2008 Run time: 85 minutes Rating: PgBait Shop stars the eternally affable yet exasperated comedian Bill Engvall as Bill Dugan, owner of a homey but smalltime bait shop. Bill's job and self-respect are threatened when arrogant fishing celebrity Hot Rod Johnson (Billy Ray Cyrus, better k! nown as Miley's dad) opens a massive fishing superstore right ! next doo r. Only by challenging Hot Rod in a bass fishing tournament can Bill set things right! Bait Shop is a bundle of clumsy cliches made somewhat tolerable by a likable cast (including outlaw country music singer Billy Joe Shaver as Bill's mentor) and an enthusiastic performance by Cyrus, who clearly enjoys being the bad guy for once. High points include Bill having a bar fight while dressed in a fish costume and Bill wrestling an obviously rubber bass into his boat. There are many declarations about how fishing used to be more pure and how friendship is the most important thing in life. Extras include a standard-issue making-of documentary, some beautiful shots of the local landscape (which, inexplicably, never got used in the movie itself), some understandably deleted scenes and some scenes of the cast goofing around. All in all, not much effort was put into making either the movie or the DVD. --Bret Fetzer
And ! thatâs just the beginning! Goku also spends some time on Turtle Island where he and Krillin study martial arts under the legendary Master Roshi. The old hermit may not look like much, but if his new pupils can find him a woman, heâll make sure theyâre ready to rumble at the upcoming World Martial Arts Tournament!
Season One of Dragon Ball is a must-have for everyone from the die-hard fan to the next generation of collectors.In 1986, the animated adaptation of Akira Toriyama's manga Dragon Ball debuted on Japanese television, launching one of the most popular franchises in anime history. Dragon Ball introduced a special mixture of male bonding, rigorous training, martial arts fighting, slapstick comedy, and sci-fi action that scored a huge hit with boys and led to the follow-ups Dragon Ball Z and Dragon Ball GT--and numerous imitators. A small boy from another planet, Goku commands super-human strength, but he was raised in the remote mou! ntains by an old man and he knows little of the world. Goku me! ets Bulm a, who's trying to assemble the seven magical Dragon Balls so she can wish for a boyfriend. The naive boy and the hot-tempered girl join forces, then form a quarrelsome alliance with Oolong, the shape-shifting pig, and Yamcha, a dashing bandit with a metamorphic familiar, Puar. The heroes compete for the Dragon Balls against the pint-sized Emperor Pilaf (who wants to rule the world). After defeating Pilaf, Goku goes to study martial arts with Master Roshi, a lecherous but extraordinarily skilled old man. Goku and fellow student Krillin develop formidable powers that they use in the World Martial Arts Tournament. These episodes set the pattern for Dragon Ball and numerous other series: humans and creatures of all description train endlessly, then gather to pound the ramen out of each other before an audience. Naturally, the hero wins in an extended final match. The first adventures are lighter in tone and more broadly comic than the beginning of the darker Red Ribbon S! aga. For years, the first13 episodes of Dragon Ball were only available in the U.S. in the heavily edited set Saga of Goku, to the chagrin of the fans. Following their successful release of the complete Dragon Ball Z and Dragon Ball GT, Funimation is presenting Dragon Ball uncut and digitally restored. The series probably looks better now than it did when it premiered, as it was reportedly filmed in 16mm. Note: The sight of the prepubescent Goku and Krillin running around naked doesn't bother Japanese audiences. (Rated TV 14, but appropriate for ages 12 and up: nudity, risqué and toilet humor, cartoon violence, ethnic stereotypes, alcohol and tobacco use) --Charles Solomon
(1. Secret of the Dragon Balls, 2. The Emperorâs Quest, 3. The Nimbus Cloud of Roshi, 4. Oolong the Terrible, 5. Yamcha the Desert Bandit, 6. Keep an Eye on the Dragon Balls, 7. The Ox-King on Fire Mountain, 8. The Kamehameha Wave, 9. Boss Rabbitâs Magic T! ouch, 10. The Dragon Balls Are Stolen, 11. The Penalty Is Pinb! all, 12. A Wish to the Eternal Dragon, 13. The Legend of Goku, 14. Goku's Rival, 15. Look Out for Launch, 16. Find That Stone! 17. Milk Delivery, 18. The Turtle Hermit Way, 19. The Tournament Begins, 20. Elimination Round, 21. Smells Like Trouble, 22. Quarterfinals Begin, 23. Monster Beast Giran, 24. Krillin's Frantic Attack! 25. Danger From Above, 26, The Grand Finals, 27. Number One Under The Moon? 28. The Final Blow, 29. The Roaming Lake, 30. Pilaf and the Mystery Force, 31. Wedding Plans?)
That's the first thing James Tillerman says to his sister Dicey every morning. It's still true that their mother has abandoned the four Tillerman children somewhere in the middle of Connecticut. It's still true they have to find their way, somehow, to Great-aunt Cilla's house in Bridgeport, which may be their only hope of staying together as a family.
But when they get to Bridgeport, they learn that Great-aunt Cilla has died, and the home they find with her daughter, Eunice, isn't the permanent haven they've been searching for. So their journey continues to its unexpected conclusion -- and some surprising discoveries about their history, and their future.
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I! f everyone in high government office saw The Boys of Baraka, who knows what kind of positive change it might inspire? From this remarkable documentary about hope and second chances, the message is clear: The poorest, most violent, undesirable neighborhoods in America are a breeding ground for hopelessness and despair, and there's a solution if only we'd give it a good fighting chance. The scene is Baltimore, Maryland, in 2002, where 76% of all African American boys living in the inner-city ghetto will never earn a high school diploma. As one adult tells the kids at a Baltimore school, they have three choices: jail, an early death, or graduating high school--and you know she's telling the cold, hard truth. That's when we learn of the Baraka School in Kenya, East Africa, where 20 African American boys (ages 12 and 13) are chosen each year to enter a transformative two-year course of schooling, away from their families in Baltimore. The purpose of the school, in part, i! s to demonstrate that the toxic environment of Baltimore, and ! its nega tive impact on the self-esteem of ghetto residents, can be reversed by removing these boys to Baraka, where a strict regimen of classes and responsibilities has an immediate, if not always permanent, beneficial effect. We follow several boys on this fascinating journey toward growth and renewal. Devon is an aspiring preacher with musical talent; Montrey is a troublemaker with a bad attitude, who dreams of a career in science; brother Richard and Romesh are both accepted into Baraka, and despite setbacks both flourish in the program. Codirectors Heidi Ewing and Rachel Grady capture their gradual awakening to a new way of living and a new outlook on life, and then comes bad news: Due to security concerns and regional politics, the Baraka program is suspended, and the boys must return to the bleakness of Baltimore. Have they changed for good? Will they find a way to earn their diplomas and have hope for their futures? The Boys of Baraka offers no easy answers, but in! showing us a glimmer of hope against all odds, the film gains depth and power with a conditional happy ending. Uncertainty remains, but so does a palpable sense of achievement and self-improvement that could, on a grander scale of government and societal support, lead to a positive revolution in our school system, which currently offers a depressing shortage of options for our most underprivileged citizens. Without forcing its uplifting message, this exceptional documentary offers proof of a better way, if only enough people would step up and support it. --Jeff ShannonIronweed Film Club. This DVD includes: Feature Film * One Short * Directors' commentary interactive menus and DVD extras. The Boys of Baraka Directed by Heidi Ewing and Rachel Grady * 2005 * 84 minutes. Ryan's Well Directed by Lalita Krishna * 2001 * 25 minutes. WINNER best documentary Chicago Int'l Film Festival 2005 WINNER best documentary Newport Int'l film festival 2005.Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Boys of Baraka is a 2005 documentary film produced and directed by filmmakers Heidi Ewing and Rachel Grady (both of whom also made Jesus Camp in 2006). Twenty at-risk boys from Baltimore attend the seventh and eighth grades at a boarding school in Kenya. The documentary follows them in Kenya and in Baltimore, before and after attending the Baraka School in Kenya. It also mentions that 76% of African Americans in Baltimore do not graduate High School. Boys of Baraka reproduction poster print
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In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions! of himself on the deck of the Black Pearl. But Sparrow is nee! ded in t his world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley
On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pit! hy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.
The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley
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