Saturday, November 5, 2011

Dead & Buried (Limited Edition)

  • DEAD & BURIED LIMITED EDITION 2-DISC (DVD MOVIE)
Paul Conroy is not ready to die. But when he wakes up six feet underground with no idea of who put him there or why, life for the truck driver and family man instantly becomes a hellish struggle for survival. Buried with only a cell phone and a lighter, his contact with the outside world and ability to piece together clues that could help him discover his location are maddeningly limited. Poor reception, a rapidly draining battery, and a dwindling oxygen supply become his worst enemies in a tightly confined race against time; fighting panic, despair and delirium, Paul has only ninety minutes to be rescued before his worst nightmare comes true.Alfred Hitchcock, eat your heart out. Sure, the master of suspense set himself some tough challenges with limited scenarios: Lifeboat took place entirely within the title craft, Rear Window d! idn't stray from Jimmy Stewart's apartment, and Rope stuck mostly to an unbroken take. But Spanish director Rodrigo Cortés wants to do the master one better: Buried is set inside a coffin, buried beneath a few feet of immovable earth. Paul Conroy (Ryan Reynolds) wakes up inside the coffin, a cell phone and lighter next to him; for the next 90 minutes, we won't leave the narrow space of that wooden box. No cheats: no flashbacks to Paul's past, no cross-cutting with efforts to free him. Cortés sticks to the rules and follows his story out to its conclusion, and in the process he must think of every possible way to shoot and light someone in a confined space. Seems Paul was in Iraq as a non-military truck driver when he got caught in some crossfire, and somebody wants to make a point. The cell phone allows him to speak, and try to puzzle out what's happening, but except for the voices on the other end, this is entirely Ryan Reynolds's show. The actor is up for ! it: although he can't use his body, he calls on both his actio! n-movie chops and (at certain exasperating moments) his comic talents. By definition, this is a bravura turn, and Reynolds comes through firing on all cylinders. Buried is an exercise, but it manages to sneak in a few sly suggestions about the nature of an American's presence in the Middle East. It even earns points for an excellent credits sequence--a clever nod to Hitchcock classics. Somehow you suspect the master would approve. --Robert HortonDEAD AND BURIED - DVD MovieOverlooked during its theatrical run but a cult favorite on video, this unique and chilling take on the zombie film finally joins the digital ranks with a two-DVD set from Blue Underground. James Farentino stars as a small-town sheriff who discovers that the victims in a string of grisly murders are reappearing seemingly alive and unharmed. His investigation leads him to suspect that the local mortician (Jack Albertson) is somehow responsible for these reanimated corpses; what Farentino doesn't know i! s the extent to which the entire town-himself included-is involved. First-time viewers will appreciate director Gary Sherman's attention to pacing and atmosphere, as well as the often darkly humorous script by co-producer Ronald Shusett and Dan O'Bannon (Alien, Total Recall) and the solid cast (which includes future horror star Robert Englund); longtime fans will appreciate the fact that Blue Underground's uncut print restores many of Stan Winston's gruesome special effects. --Paul Gaita

Deja Vu

  • When FBI agent Carlin (Denzel Washington) tries to prevent a terrorist attack using a top secret government time shifting device, the action is explosive. Denzel Washington teams up with blockbuster producer Jerry Bruckheimer and renowned director Tony Scott in this intriguing action thriller. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG-13 Age: 786936705270 UPC:&
Academy Award(R) winner Denzel Washington (Best Actor, TRAINING DAY, 2001) joins forces with blockbuster producer Jerry Bruckheimer and mega-hit director Tony Scott for DÉJÀ VU â€" the powerful, fast-paced action-thriller with a spectacular mind-bending twist. Called in to recover evidence in the aftermath of a horrific explosion on a New Orleans ferry, Federal agent Doug Carlin (Washington) gets pulled away from the scene and taken to a top-secret government lab that uses a time-shifting surveillance device to help pre! vent crime. But can it help Carlin change the past? Hold on to your seat for an explosive and intriguing thrill ride you'll want to experience again and again.'In his most effective thriller since Enemy of the State, Tony Scott makes time travel seem plausible. It helps that his New Orleans hero, ATF agent Doug Carlin (Denzel Washington in his third go-round with the director), spends more time in the present than the past. In order to catch a terrorist, FBI Agent Pryzwarra (Val Kilmer) invites Carlin to join forces. They have the technology to see the past. He has the expertise to interpret the data. Unfortunately, the bomb has already gone off and hundreds of ferry passengers have died. Then there's the body of a beautiful woman, Claire Kuchever (Paula Patton, Idlewild), that turns up in the vicinity of the blast. Evidence indicates she was killed beforehand. Since the FBI enables him to observe Claire prior to her murder, Carlin gets to know what she was li! ke and finds himself falling in love. He becomes convinced tha! t the on ly way to solve the case--and prove her innocence--is to travel to the past. But as Pryzwarra's colleague, Denny (Adam Goldberg), argues, "You cannot go back in time. It's physically impossible." Or so he says. Déjà Vu is constructed around a clever script and executed by a top-notch cast, notably Washington, Patton, and an eerie Jim Caviezel (miles away from Passion of the Christ). In shedding the excesses of recent years--the sadism of Man on Fire and weirdness of Tarantino favorite Domino--Scott re-affirms his rep as one of the action movie's finest practitioners. --Kathleen C. Fennessy

Giuliani Time

Alone With Her

LeapFrog Cook and Play Potsy

  • Get children's imaginations brewing with Cook and Play Potsy
  • Choose and download songs for a custom playlist (Internet connection required)
  • Choose from 8 email messages and personalize for your child to enjoy (Internet connection required)
  • Explore opposites, listen to music and rhymes and explore counting, colors and more
  • Parents can connect to the online LeapFrog Learning Path for customized learning ideas and insights from LeapFrog
BOY EATS GIRL - DVD MovieHorror 4-Film Pack. 2 Double sided discs. Drive Thru (2006) - 91 Minutes. Creep (2005) - 85 Minutes Boy Eats Girl (2005) - 80 Minutes Tamara (2005) - 98 MinutesWritten by two teens who know what teens do and don’t know about cooking, TEENS COOK is an instructional cookbook that teaches young adults how to make great mealsâ€"and be confident and independent in the kitchen. Authors Megan and Jill Carle are teenage sisters with nothing much in common when it comes to foodâ€"except that they both know how to cook really well. One buys ingredients she likes and figures out what to make when she gets home; the other follows every recipe to the letter. One is a vegetarian who’s drawn to ethnic food; the other prefers all-American comfort food. Together, they’re a dynamic duo who have created and mastered more than 75 recipes for breakfasts, snacks, sides, family meals, dinners for one, and desserts. In TEENS COOK, the Carle sisters also share their kitchen know-how on averting and fixing disasters, dealing with cookbook math (fractions and metricsâ€"ugh!), deciphering culinary vocabulary (all those terms we! kind of know, but not really), explaining chemistry (why and how stuff goes right and wrong in the kitchen), and avoiding accidents (can you say “grease fire”? oops!). For teens (and tweens) who are tired of eating what their parents decide to fix, TEENS COOK offers foolproof advice for whipping up some tasty home-cooked meals of their own.

Get children's imaginations brewing with Cook & Play Potsy! Learn about opposites, listen to music and rhymes and explore counting, colors and more!

Parents can connect to the online LeapFrog® Learning Path for customized learning insights and ideas to expand the learning.

  • Product Measures: 8.322" x 5.98" x 6.417"
  • Recommended Ages: 1 years - 3 years
Cook up some educational fun with the LeapFrog Cook and Play Potsy. An interactive and sassy guide, Potsy accompanies 1- to 3-year-olds through two modes of play, each with plenty of activities that teach a smorgasbord of skills and knowledge,! including counting, opposites, nutrition and more. Cook and P! lay Pots y will inspire young children with songs, prompts, and open-ended imaginative play.

Leapfrog Logo
Cook and Play Potsy

Ages: 12 to 36 months

What We Think

Fun factor: 4 stars
Durability: 5 stars
E! ase of assembly: 5 stars
Educational factor: 5 stars
Novelty factor: 3 stars

The Good: Potsy's audio is hilarious and educational.

The Challenging: As tempting as it would be to put water into Potsy, he must be kept dry.

In a Nutshell: A simple and educational interactive toy that encourages imaginative play.
Leapfrog callout
Potsy - Two Game Modes

Potsy features two interactive modes - cooking mode and learning mode.
View larger.
Toy food

Potsy comes with several accessories, including an assortment of toy foods.
View larger.
A Simple Recipe for Fun with Potsy
LeapFrog's Cook and Play Potsy will fire up your child's imagination with a talking and singing pot, an oversized spoon, and five plastic food pieces.

Whenever the broccoli, peas, tomato, cheese, or carrots are dropped into Potsy, or the spoon is stirred in his pot, he'll react with sounds, songs, or phrases that will delight your child. Playing with Potsy encourages the use of motor skills and pretend play, whether your chil! d follows Potsy's directions or devises her own imaginative recipes.

Cleaning up after play is a breeze--put all the accessories in Potsy, close the lid, and put him away until the next cooking session. Potsy can be wiped down with a damp cloth for cleaning, but shouldn't be filled with, or submerged in, water.

"Cooking, Counting, Colors--Oh Yeah!"
Battery operated Potsy is playable in two modes. In the Cooking mode, stirring the spoon or adding food pieces to the pot triggers sound effects, facts about food and nutrition, and songs delivered in Potsy's colorfully infectious tone. The Learning mode teaches kids about colors and gives them an opportunity to practice counting.

Removing Potsy's lid during either mode teaches kids about opposites, such an on/off and open/closed. Potsy also encourages open-ended pretend play with interactive prompts.

Visit Leapfrog Online
Through LeapFrog's Learning Path you'll find information about the ski! lls your child is developing through play. You can also regist! er Potsy online, and sign up for updates and product news. The Learning Path is a great way to learn about tailoring your child's learning experience through play.

What's in the Box
Cook and Play Potsy with three AA batteries, spoon, and five food blocks.

10 Things I Hate About You

  • A cool cast of young stars is just one of the things you ll love about this hilarious comedy hit! On the first day at his new school, Cameron (Joseph Gordon Levitt Halloween: H20, TV s 3rd Rock From The Sun) instantly falls for Bianca (Larisa Oleynik The Baby-Sitters Club), the gorgeous girl of his dreams! The only problem is that Bianca is forbidden to date.until her ill-tempered, completely un-
Ellie, a free-spirited and headstrong young woman is left in charge of a residential home over the Christmas holidays. Her youth and inexperience bring her into bitter conflict with the four grumpy old residents. HOW ABOUT YOU deals with the hilarious antics of this uncivilized group, an unlikely romance, and the gradual solidarity that develops between the residents and Ellie, in this critically acclaimed heartwarming and irresistible film.After being cut from the usa softball team and feeling a bit! past her prime lisa finds herself evaluating her life and in the middle of a love triangle as a corporate guy in crisis competes with her current baseball-playing beau. Studio: Sony Pictures Home Ent Release Date: 03/22/2011 Starring: Reese Witherspoon Owen Wilson Run time: 121 minutes Rating: Pg13 Director: James L. BrooksCompared to previous James L. Brooks dramedies, like As Good As It Gets, How Do You Know feels slight, but it still marks an improvement over the ill-conceived Spanglish. The setup begins with a newly minted couple and a brand-new single. Lisa (Reese Witherspoon), a pro softball player, dates Matty (Owen Wilson), a major-league pitcher, who lives in the same Washington, D.C., high rise as financial exec Charles (Jack Nicholson, looking ill at ease), whose son and employee, George (Paul Rudd), gets the boot from his girlfriend after he loses his job. When George meets Lisa, who didn't make the team, sparks fly, but she's unavail! able, so they get on with their lives. Hardly the brightest bu! lb, Matt y raises Lisa's spirits with his goofy antics, so she moves in with him. Then George finds out he faces charges for tax fraud, even though he broke no laws. While his pregnant assistant, Annie (Crossing Jordan's Kathryn Hahn), supports him through the crisis, he can't stop thinking about the blonde from the elevator, so he tries to get to know Lisa better. Throughout the rest of this glossy entertainment, their friendship verges on romance, but Lisa stays with Matty, until Annie helps her to see George clearly for the first time. As love triangles go, Brooks isn't reinventing the wheel, making this underwritten affair one of his less inspired creations, but Witherspoon, Rudd, and Wilson are good company--even if the latter is essentially reprising his vacuous Zoolander character (just substitute baseball for modeling). --Kathleen C. FennessyConventional Wisdom tells us that all we need to do to lose weight is to eat less and/or do more. Zoe Harcombe bust! s this, and other diet myths in this thought provoking article.

One pound does not equal 3,500 calories. You will not lose one pound if you create a deficit of 3,500 calories. Eating less/doing more will not work. Five-a-day is not only a myth, but a contributor to the obesity epidemic.  Saturated fat does not cause heart disease. Your body makes cholesterol, your body is not trying to kill you and more.

As well as busting 20 of the most strongly held diet myths of all times, this article includes the full introduction to Zoë Harcombe’s book The Obesity Epidemic: What caused it? How can we stop it?

There are some technical aspects to this manifesto, but the human body is far more complex than a simple 'eat less, do more' mantra can ever explain.

This article is approximately 20 pages in length, 10167 words.Conventional Wisdom tells us that all we need to do to lose weight is to eat less and/or do more. Zoe Harcombe busts th! is, and other diet myths in this thought provoking article.
On e pound does not equal 3,500 calories. You will not lose one pound if you create a deficit of 3,500 calories. Eating less/doing more will not work. Five-a-day is not only a myth, but a contributor to the obesity epidemic.  Saturated fat does not cause heart disease. Your body makes cholesterol, your body is not trying to kill you and more.

As well as busting 20 of the most strongly held diet myths of all times, this article includes the full introduction to Zoë Harcombe’s book The Obesity Epidemic: What caused it? How can we stop it?

There are some technical aspects to this manifesto, but the human body is far more complex than a simple 'eat less, do more' mantra can ever explain.

This article is approximately 20 pages in length, 10167 words.A cool cast of young stars is just one of the things you'll love about this hilarious comedy hit! On the first day at his new school, Cameron (Joseph Gordon-Levitt -- HALLOWEEN: H2O, TV's "3RD Rock From The Sun! ") instantly falls for Bianca (Larisa Oleynik -- THE BABY SITTERS CLUB), the gorgeous girl of his dreams. The only problem is that Bianca is forbidden to date ... until her ill-tempered, completely un-dateable older sister Kat (Julia Stiles -- THE BOURNE IDENTITY, SAVE THE LAST DANCE) goes out too! In an attempt to solve his problem, Cameron singles out the only guy who could possibly be a match for Kat: a mysterious bad-boy (Heath Ledger -- A KNIGHT'S TALE, THE PATRIOT) with a nasty reputation of his own! Also featuring a hip soundtrack -- this witty comedy is a wildly entertaining look at exactly how far some guys will go to get a date!It's, like, Shakespeare, man! This good-natured and likeable update of The Taming of the Shrew takes the basics of Shakespeare's farce about a surly wench and the man who tries to win her and transfers it to modern-day Padua High School. Kat Stratford (Julia Stiles) is a sullen, forbidding riot grrrl who has a blistering word for eve! ryone; her sunny younger sister Bianca (Larisa Oleynik) is poi! sed for high school stardom. The problem: overprotective and paranoid Papa Stratford (a dryly funny Larry Miller) won't let Bianca date until boy-hating Kat does, which is to say never. When Bianca's pining suitor Cameron (Joseph Gordon-Levitt) gets wind of this, he hires the mysterious, brooding Patrick Verona (Heath Ledger) to loosen Kat up. Of course, what starts out as a paying gig turns to true love as Patrick discovers that underneath her brittle exterior, Kat is a regular babe. The script, by Karen McCullah Lutz and Kirsten Smith, is sitcom-funny with peppy one-liners and lots of smart teenspeak; however, its cleverness and imagination doesn't really extend beyond its characters' Renaissance names and occasional snippets of real Shakespearean dialogue. What makes the movie energetic and winning is the formula that helped make She's All That such a big hit: two high-wattage stars who look great and can really act. Ledger is a hunk of promise with a quick grin and charmi! ng Aussie accent, and Stiles mines Kat's bitterness and anger to depths usually unknown in teen films; her recitation of her English class sonnet (from which the film takes its title) is funny, heartbreaking, and hopelessly romantic. The imperious Allison Janney (Primary Colors) nearly steals the film as a no-nonsense guidance counselor secretly writing a trashy romance novel. --Mark Englehart

Grizzly Man

  • wildlife
  • widescreen
  • documentary
  • true
  • nonfiction
In his mesmerizing new film, GRIZZLY MAN, acclaimed director Werner Herzog explores the life and death of amateur grizzly bear expert and wildlife preservationist Timothy Treadwell. Treadwell lived unarmed among the bears for thirteen summers, and filmed his adventures in the wild during his final five seasons. In October 2003, Treadwell’s remains, along with those of his girlfriend, Amie Huguenard, were discovered near their campsite in Alaska’s Katmai National Park and Reserve. They had been mauled and devoured by a grizzly, the first known victims of a bear attack in the paGrizzly Man could easily have been sensational and exploitative, but in the hands of Werner Herzog, it becomes something extraordinary. Herzog was granted exclusive access to over 100 hours of video shot by amateur naturalist, w! ildlife advocate and troubled loner Timothy Treadwell, who spent 13 summers in Alaska's Katmai National Park, where he grew to know and love the grizzly bears that lived there. He was also killed by one of them, in October 2003, along with his girlfriend Amie Huguenard, and that seemingly inevitable fate informs every minute of Herzog's riveting combination of Treadwell's video with his own expert filmmaking and unique vision of nature and man. Whereas Treadwell was a naïve nature-lover and social outcast whose sanity was slowly slipping away, Herzog is a pragmatic mythologist who views nature primarily in terms of "chaos, hostility, and murder," and the disparity of their vision results in a magnetic attraction that makes the sum of Grizzly Man greater than its parts. We come to admire the dreamer, the idealist, the failed actor and recovered alcoholic man-child that was Treadwell, and we equally admire the seeker of truth and wisdom that is Herzog. They belong tog! ether, in some world beyond our world, where visionaries join ! forces t o create life after death. --Jeff ShannonGrizzly Man could easily have been sensational and exploitative, but in the hands of Werner Herzog, it becomes something extraordinary. Herzog was granted exclusive access to over 100 hours of video shot by amateur naturalist, wildlife advocate and troubled loner Timothy Treadwell, who spent 13 summers in Alaska's Katmai National Park, where he grew to know and love the grizzly bears that lived there. He was also killed by one of them, in October 2003, along with his girlfriend Amie Huguenard, and that seemingly inevitable fate informs every minute of Herzog's riveting combination of Treadwell's video with his own expert filmmaking and unique vision of nature and man. Whereas Treadwell was a naïve nature-lover and social outcast whose sanity was slowly slipping away, Herzog is a pragmatic mythologist who views nature primarily in terms of "chaos, hostility, and murder," and the disparity of their vision results in a mag! netic attraction that makes the sum of Grizzly Man greater than its parts. We come to admire the dreamer, the idealist, the failed actor and recovered alcoholic man-child that was Treadwell, and we equally admire the seeker of truth and wisdom that is Herzog. They belong together, in some world beyond our world, where visionaries join forces to create life after death. --Jeff ShannonRenowned nonfiction director Werner Herzog chronicles the tragic and untimely death of outdoorsman Timothy Treadwell, who devoted his life to studying grizzly bears living in the Alaskan wilderness -- only to have one of them maul him to death. Pieced together mainly from Treadwell's own video footage, this fascinating documentary goes deep into the wilderness of one man's mind to uncover how he spent his final days.
< img style="float:left;margin: 0 20px 10px 0;" src="http://g-ecx.images-amazon.com/images/G/01/associates/storebuilder/add-to-cart-yellow._V156424126_.png" />