Thursday, November 10, 2011

God Is Great and I'm Not

Heckler

Five Conversations You Must Have with Your Daughter

  • ISBN13: 9780805446661
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Here is an intriguing and sophisticated murder mystery of an upstanding military officer - the base commander's daughter - who's been leading an unsavory double life.

When a professional military woman with a pristine reputation is found raped and murdered, a preliminary search turns up certain paraphernalia, and sex toys that point to a scandal of major proportions, The chief investigator is reluctant to take the case when he learns that his partner will be a woman with whom he had a tempestuous affair and an unpleasant parting. But duty calls and intrigue begins when they learn that several top-level people may have been involved with the "golden girl" - and many have wanted her dead.
It's Nelson DeMille at his best - exciting, suspenseful and highly provocative.Long before the John Travolta film of The General's Daughter (which the author extols in the foreword), Nelson DeMille's seventh mystery was the breakout hit of his career. The rapid-fire dialogue and scenes are cinematic, and the storytelling puts most movies to shame.

The book has three heroes: Paul Brenner and Cynthia Sunhill of the army's Criminal Investigation Division and Capt. Ann Campbell, found dead with her underpants around her neck on the firing range at Fort Hadley, Georgia. Brenner and Sunhill are lowly warrant officers, but as investigators they can theoretically arrest their superiors--as long as their case is airtight. This ups the tension level, as does the fact that Brenner and Sunhill once had an adulterous affair.

The chief problem, though, is too many suspects. Capt. Campbell, the daughter of the general who runs the base, is literally a poster woman for t! he New Army, a West Point grad and Gulf War hero who posed in ! a life-s ize recruitment poster. It's pinned up on her basement wall--and when the sleuths touch the poster it swings back to reveal a hidden playroom stocked with sex toys and videos of many army guys in pig masks and the captain in high heels. She was a high-IQ "two percenter"--and Brenner finds that two percenters often wind up on his desk as homicide suspects. Why is this one a victim? It has something to do with the collected works of Nietzsche on her bookshelf, corruption in high places, and the rag and bone shop of the heart.

This is one racy read, and it crackles with authenticity. DeMille is a Vietnam veteran who does for military justice what John Grisham does for civilians. --Tim Appelo When eighteen-year-old heiress Averie Winston travels to faraway Chiarrin, she looks forward to the reunion with her father and her handsome fianc‚, Morgan. What she finds is entirely different from what she expected. She realizes that Morgan is not the man she thought he was; ! and she finds herself inexplicably drawn to another. Handsome Lieutenant Ket Du'kai is like no one Averie has ever met, and she enjoys every moment she spends with him, every delicious flirtation. Averie knows she's still engaged to another man, but she can't help but think about Lieutenant Du'kai, and she wonders if he feels the same.Here is an intriguing and sophisticated murder mystery of an upstanding military officer - the base commander's daughter - who's been leading an unsavory double life.

When a professional military woman with a pristine reputation is found raped and murdered, a preliminary search turns up certain paraphernalia, and sex toys that point to a scandal of major proportions, The chief investigator is reluctant to take the case when he learns that his partner will be a woman with whom he had a tempestuous affair and an unpleasant parting. But duty calls and intrigue begins when they learn that several top-level people may have been involved with! the "golden girl" - and many have wanted her dead.

It! 's Nelso n DeMille at his best - exciting, suspenseful and highly provocative.Long before the John Travolta film of The General's Daughter (which the author extols in the foreword), Nelson DeMille's seventh mystery was the breakout hit of his career. The rapid-fire dialogue and scenes are cinematic, and the storytelling puts most movies to shame.

The book has three heroes: Paul Brenner and Cynthia Sunhill of the army's Criminal Investigation Division and Capt. Ann Campbell, found dead with her underpants around her neck on the firing range at Fort Hadley, Georgia. Brenner and Sunhill are lowly warrant officers, but as investigators they can theoretically arrest their superiors--as long as their case is airtight. This ups the tension level, as does the fact that Brenner and Sunhill once had an adulterous affair.

The chief problem, though, is too many suspects. Capt. Campbell, the daughter of the general who runs the base, is literally a poster woman for the New Arm! y, a West Point grad and Gulf War hero who posed in a life-size recruitment poster. It's pinned up on her basement wall--and when the sleuths touch the poster it swings back to reveal a hidden playroom stocked with sex toys and videos of many army guys in pig masks and the captain in high heels. She was a high-IQ "two percenter"--and Brenner finds that two percenters often wind up on his desk as homicide suspects. Why is this one a victim? It has something to do with the collected works of Nietzsche on her bookshelf, corruption in high places, and the rag and bone shop of the heart.

This is one racy read, and it crackles with authenticity. DeMille is a Vietnam veteran who does for military justice what John Grisham does for civilians. --Tim Appelo Here is an intriguing and sophisticated murder mystery of an upstanding military officer - the base commander's daughter - who's been leading an unsavory double life.

When a professional military woman with a! pristine reputation is found raped and murdered, a preliminar! y search turns up certain paraphernalia, and sex toys that point to a scandal of major proportions, The chief investigator is reluctant to take the case when he learns that his partner will be a woman with whom he had a tempestuous affair and an unpleasant parting. But duty calls and intrigue begins when they learn that several top-level people may have been involved with the "golden girl" - and many have wanted her dead.

It's Nelson DeMille at his best - exciting, suspenseful and highly provocative.James Maurice Gavin left for war in April 1943 as a colonel commanding the 505th Parachute Infantry Regiment of the 82nd Airborne Division-America's first airborne division and the first to fight in World War II. In 1944, Slim JimGavin, as he was known to his troops, at the age of thirty-seven became the 82nd's commanding general-the youngest Army officer to become a major general since the Civil War. At war's end, this soldier's soldier had become one of our greatest generals-an! d the 82nd's most decorated officer.Now James Gavin's letters home to his nine-year-old daughter Barbara provide a revealing portrait of the American experience in World War II through the eyes of one of its most dynamic officers. Written from ship decks, foxholes, and field tents-often just before or after a dangerous jump-they capture the day-to-day realities of combat and Gavin's personal reactions to the war he helped to win. And provide an invaluable self-portrait of a great general, and a great American, in war and peace.The book's more than 200 letters begin at Fort Bragg in 1943 and continue to December 1945, as Gavin came home to lead the 82nd at the head of the Victory parade in New York. This correspondence constitutes the majority of Gavin's private wartime letters, but except for rare appearances in regimental newsletters, it has never before been published. In her Introduction, Epilogue, and Notes, Barbara Gavin Fauntleroy gives a privileged glimpse of the pri! vate man. Edited by Gayle Wurst, the book features historical ! overview s by Starlyn Jorgensen, a preface by noted Gavin biographer Gerard M. Devlin, and a foreword by Rufus Broadaway, Gavin's aide-de-camp.Welcome to the End of Empire. Set over two hundred years from now, in a world very much like Imperial Rome, this is the story of General Peter Black, the last decent man, as told through the eyes of his devoted (and illegitimate) daughter, Justa. Raised on battlefields, more comfortable in the company of hard men of war than with women or other children, Justa must keep the truth of her birth hidden. Her father regards her as an embarrassment, a reminder of his one and only indiscretion. Yet she is a remarkable woman - one whose keen mind wins her an education at the feet of Emperor Mathias the Glistening himself. All his life, General Black served the noble emperor, and, out of loyalty to the father, continues to serve his son after Mathias' death, even as the son's reign degenerates into an insane tyranny worthy of Nero or Caligula. As the r! ule of the empire passes from father to son with disastrous results, a strange metal plague begins slowly destroying the empire's technology, plunging the realm into chaos and the world into war. Amid the destruction and upheaval, General Black must decide whether to turn his back on the men and institutions who never loved him nearly as much as he did them, or whether to save his most trusted ally and adviser, his best friend and only real family. "The Martian General's Daughter" is a gripping tale of a world at war; of cunning strategies and vile politics; of bravery, foolishness, and excess. It is at once a stirring military adventure, a cautionary tale of repeating history, a cutting satire, and a heartbreaking examination of the joys and pain inherent in the love between a father and child. Judson's previous novel was selected in multiple best-of-the-year lists. With "The Martian General's Daughter", he offers another must-read epic destined to take its place in the c! anon of science fiction, and sure to appeal to readers of ever! ything f rom Orson Scott Card to Walter M Miller, Jr.

From the cradle to college, tell your daughters the truth about life before they believe the culture’s lies.

For mothers with girls newborn to eighteen, Five Conversations You Must Have with Your Daughter is simply a must-have book. Youth culture commentator Vicki Courtney helps moms pinpoint and prepare the discussions that should be ongoing in their daughters' formative years.

To fully address the dynamic social and spiritual issues and influencers at hand, several chapters are written for each of the conversations, which are:

1. You are more than the sum of your parts

2. Don’t be in such a hurry to grow up

3. Sex is great and worth the wait

4. It’s OK to dream about marriage and motherhood

5. Girls gone wild are a dime a dozen—dare to be virtuous

The book is linked to online bonus features offering invaluable tips on having these convers! ations across the various stages of development: five and under, six to eleven, twelve and up.


Tim Burton's Corpse Bride (Widescreen Edition)

  • Set in a 19th century European village, this stop-motion, animated feature follows the story of Victor (voiced by JOHNNY DEPP), a young man who is whisked away to the underworld and wed to a mysterious Corpse Bride, while his real bride, Victoria, waits bereft in the land of the living. Though life in the Land of the Dead proves to be a lot more colorful than his strict Victorian upbringing, Victo
A stunning visual companion to the newest film from Tim Burton (The Nightmare Before Christmas, Edward Scissorhands, Charlie and the Chocolate Factory), featuring storyboards, movie stills, and Burton's own drawings.

Corpse Bride carries on in the dark, romantic tradition of Tim Burton's classic films Edward Scissorhands and The Nightmare Before Christmas. Set in a 19th century European village, this stopmotion, animated feature follows the story of Victor ! (Johnny Depp), a young man who is whisked away to the underworld and wed to a mysterious Corpse Bride (Helena Bonham-Carter), while his real bride, Victoria (Emily Watson), waits bereft in the land of the living. Though life in the Land of the Dead proves to be a lot more colorful than his strict Victorian upbringing, Victor learns that there is nothing in this world, or the next, that can keep him away from his one true love. It's a tale of optimism, romance and a very lively afterlife, told in a classic Tim Burton style.

Like Tim Burton's The Nightmare Before Christmas, this official visual companion showcases spectacular movie stills, sketches, paintings, and Tim Burton's own drawings. Covering preproduction, production, and post-production, sections detail character realization, set development and construction, puppet fabrication, costuming, and stop-motion filming. The book's final part retells the film's story in images with synopsis, storyboards, and l! yrics. 140 color illustrations.Set in a 19th century European ! village, this stop-motion, animated feature follows the story of Victor (voiced by JOHNNY DEPP), a young man who is whisked away to the underworld and wed to a mysterious Corpse Bride, while his real bride, Victoria, waits bereft in the land of the living. Though life in the Land of the Dead proves to be a lot more colorful than his strict Victorian upbringing, Victor learns that there is nothing in this world, or the next, that can keep him away from his one true love.

DVD Features:
Documentaries
Featurette
Interviews
Music Only Track
Other
Photo gallery
Production Notes

Who else but Tim Burton could make Corpse Bride, a necrophiliac's delight that's fun for the whole family? Returning to the richly imaginative realm of stop-motion animation (after previous successes with The Nightmare Before Christmas and James and the Giant Peach), Burton, with codirector Mike Johnson, invit! es us to visit the dour, ashen, and drearily Victorian mansions of the living, where young Victor Van Dort (voiced by Johnny Depp) is bequeathed to wed the lovely Victoria (Emily Watson). But the wedding rehearsal goes sour and, in the kind of Goth-eerie forest that only exists in Burton-land, Victor suddenly finds himself accidentally married to the Corpse Bride (Helena Bonham Carter), a blue-tinted, half-skeletal beauty (how pleasantly full-bosomed she remains!) with a loquacious maggot installed behind one prone-to-popping eyeball. This being a Burton creation, the underworld of the dead is a lively and colorful place indeed, and Danny Elfman's songs and score make it even livelier, presenting Victor with quite a dilemma: Should he return above-ground to Victoria, or remain devoted to his corpse bride? At a brisk 76 minutes, Burton's graveyard whimsy (loosely based on a 19th century Russian folktale) never wears out its welcome, and the voice casting (which includes Trac! ey Ullman and Albert Finney) is superbly matched the film's gl! oriously amusing character design, guaranteed to yield a wealth of gruesome toys and action figures for many Halloweens to come. --Jeff Shannon

The Man with No Name Trilogy (A Fistful of Dollars / For a Few Dollars More / The Good, The Bad, and the Ugly) [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Box set; Color; Dolby; DTS Surround Sound; Dubbed; Full Screen; Restored; Subtitled; Widescree
Sergio Leone “spaghetti westerns” did not simply add a new chapter to the genre…they reinvented it. From his shockingly violent and stylized breakthrough, A Fistful of Dollars, to the film Quentin Tarantino calls “the best-directed movie of all time,” The Good, the Bad and the Ugly, Leone’s vision did for westerns what talkies did for all movies back in the 1920s: it elevated them to an entirely new art form. Fully restored, presented in high definition with their best-ever audio, and including audio commentaries, featurettes and more, these films are much more than the definitive Leone collection...they are the most ambitious and influential westerns ever made.

A Fistfull Of Dollars
Clint Eastwood’s legendary “M! an With No Name” makes his powerful debut in this thrilling, action-packed classic in which he manipulates two rival bands of smugglers and sets in motion a plan to destroy both in a series of brilliantly orchestrated setups, showdowns and deadly confrontations.

For A Few Dollars More
Oscar® Winner Clint Eastwood** continues his trademark role in this second installment of the trilogy, this time squaring off with Indio, the territory’s most treacherous bandit. But his ruthless rival, Colonel Mortimer (Lee Van Cleef, High Noon), is determined to bring Indio in first...dead or alive!

The Good, The Bad And The Ugly
The invincible “Man With No Name” (Eastwood) aligns himself with two gunslingers (Lee Van Cleef and Eli Wallach) to pursue a fortune in stolen gold. But teamwork doesn’t come naturally to such strong-willed outlaws, and they soon discover that their greatest challenge may be to stay focused â€" and stay alive â€" in a! country ravaged by war.Review for A Fistful of Do! llars:
A Fistful of Dollars launched the spaghetti Western and catapulted Clint Eastwood to stardom. Based on Akira Kurosawa's 1961 samurai picture Yojimbo, it scored a resounding success (in Italy in 1964 and the U.S. in 1967), as did its sequels, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character--laconic, amoral, dangerous--as the Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the movie's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children. Instead it's every man for himself. Striking, too, was a new emphasis on violence, with stylized, almost balletic gunfights and baroque touches such as Eastwood's armored breastplate. The Dollars films had a marked influence on the Hollywood Western--for example, Sam Peckinpah's The Wild Bunch--but their most enduring legacy is Clint Eastwood himse! lf. --Edward Buscombe

Review for The Good, the Bad, and the Ugly:
If you think of A Fistful of Dollars and For a Few Dollars More as the tasty appetizers in Sergio Leone's celebrated "Dollars" trilogy of Italian "Spaghetti" Westerns, then The Good, the Bad, and the Ugly is a lavish full-course feast. Readily identified by the popular themes of its innovative score by Ennio Morricone (one of the bestselling soundtracks of all time), this cinematic milestone eclipsed its influential predecessors with a $1.2 million budget (considered extravagant in the mid-1960s), greater production values to accommodate Leone's epic vision of greed and betrayal, and a three-hour running time for its wide-ranging plot about the titular trio of mercenaries ("Good" Blondie played by rising star Clint Eastwood, "Bad" Angel Eyes played by Lee Van Cleef, and "Ugly" Tuco played by Eli Wallach) in a ruthless Civil War-era! quest for $200,000 worth of buried Confederate gold. Virtuall! y all of Leone's stylistic attributes can be found here in full fruition, from the constant inclusion of Roman Catholic iconography to a climactic circular shoot-out, along with Leone's trademark use of surreal landscapes, brilliant widescreen compositions and extreme close-ups of actors so intimate that they burn into the viewer's memory. And while some Leone fans may favor the more scaled-down action of For a Few Dollars More or the masterful grandiosity of Once Upon a Time in the West, it was The Good, the Bad, and the Ugly that cemented Leone's reputation as a world-class director with a singular vision. --Jeff Shannon

Martin BMD606 Chrome Socket, 3/8 " Square Drive, 6 Point, Deep, 6 mm type I opening, 58 " drive end, 2564 " opening end, 532 " min. depth, Metric

  • Made in U.S.A
A #1 New York Times bestseller, Mitchard's suspenseful and moving novel is now available in trade paperback

Few first novels receive the kind of attention and acclaim showered on this powerful story--a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmare--the disappearance of a child--as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.

"Riveting . . . twists that will spin you around." --Newsweek

"A drama with the tension of a thriller that moves deeply! into the emotional territory of family ties." --People

"Take a deep breath. . . . This riveting story won't let you come up for air." --US magazine Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old Ben Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a journalist and compassion of someone who has seemingly been there. International publis! hing and movie rights sold fast on this one: It's a blockbust! er.Few f irst novels receive the kind of attention and acclaim showered on this powerful storyâ€"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ€"the disappearance of a childâ€"as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old Ben Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15t! h high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a journalist and compassion of someone who has seemingly been there. International publishing and movie rights sold fast on this one: It's a blockbuster.Few first novels receive the kind of attention and acclaim showered on this powerful storyâ€"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ€"the disappearance of a childâ€"as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant obs! ervations about the texture of real life, here is a story of r! are powe r, one that will touch readers' hearts and make them celebrate the emotions that make us all one.Beth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastating guilt and grief that goes along with it. Nine years later, the family has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Williams) seems to expect everything to fall into place as though the family had been intact all along. It's a tightrope rou! tine for actors in a story like this, being careful not to chew the scenery while at the same time not being too flaccid or understated. For the most part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a stretch, but she makes it work. All in all, a decent three-hanky movie in the vein of Ordinary People. --Jerry RenshawSKT,3/8,6PT,DP,6MM

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