Thursday, November 3, 2011

Change-Up: Mystery at the World Series

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Ryan Reynolds and Jason Bateman star in the outrageous comedy from the director of Wedding Crashers and the writers of The Hangover. One drunken night, two friends admit that they wish they had the other's life. Mitch (Reynolds) thinks Dave has it all: a beautiful, loving family and a high-paying job at a prestigious law firm. But Dave (Bateman) thinks Mitch's stress-free life without obligation or consequence is the real dream come true. The next morning they wake up, hungover, in each other's bodies, and proceed to freak out! With time not on their side, Mitch and Dave comically struggle to avoid completely destroying each other's lives before they can find a way to get their old ones back. Starring! : Ryan Reynolds, Jason Bateman, Leslie Mann, Olivia Wilde, Craig Bierko, Alan Arkin Directed by: David DobkinEvery generation has a reflective body-swap comedy thrust upon it, with results ranging from the genteel Reagan-era George Burns vehicle 18 Again to the slyly empowering, cell phone-savvy remake of Freaky Friday. Fueled by two amazingly game performances from Jason Bateman and Ryan Reynolds, The Change-Up goes for the gross-out, happily wallowing where those previous films dared not tread. Whatever this says about the current state of society, there's no denying that the results are consistently, ridiculously funny. Kicking off with a gag involving a baby that might give even John Waters pause, director David Dobkin (Wedding Crashers) wastes no time getting to the gimmick, via a magical fountain that rearranges the brains of an uptight family-man lawyer (Bateman) and party-animal actor (Reynolds). What follows plays like a greatest-hits me! dley of the genre, shot through with a steadily escalating lev! el of fi lth. (The reveal of Reynolds's girlfriend will not soon be forgotten/expunged.) Adept as the leads are, they also leave room in the spotlight for some killer supporting players, including Alan Arkin, Olivia Wilde, and especially Apatow vet Leslie Mann, who delivers two lengthy monologues that veer from sympathetic to gloriously bent without missing a beat. High art it most definitely ain't, but The Change-Up lands squarely in the borderland between offensive and hilarious, where the best shock comedies reside. You'll laugh until you gag, and vice versa. --Andrew WrightRyan Reynolds and Jason Bateman star in the outrageous comedy from the director of Wedding Crashers and the writers of The Hangover. One drunken night, two friends admit that they wish they had the other's life. Mitch (Reynolds) thinks Dave has it all: a beautiful, loving family and a high-paying job at a prestigious law firm. But Dave (Bateman) thinks Mitch's stress-free life without obligation o! r consequence is the real dream come true. The next morning they wake up, hungover, in each other's bodies, and proceed to freak out! With time not on their side, Mitch and Dave comically struggle to avoid completely destroying each other's lives before they can find a way to get their old ones back. Starring: Ryan Reynolds, Jason Bateman, Leslie Mann, Olivia Wilde, Craig Bierko, Alan Arkin Directed by: David DobkinEvery generation has a reflective body-swap comedy thrust upon it, with results ranging from the genteel Reagan-era George Burns vehicle 18 Again to the slyly empowering, cell phone-savvy remake of Freaky Friday. Fueled by two amazingly game performances from Jason Bateman and Ryan Reynolds, The Change-Up goes for the gross-out, happily wallowing where those previous films dared not tread. Whatever this says about the current state of society, there's no denying that the results are consistently, ridiculously funny. Kicking off with a gag in! volving a baby that might give even John Waters pause, directo! r David Dobkin (Wedding Crashers) wastes no time getting to the gimmick, via a magical fountain that rearranges the brains of an uptight family-man lawyer (Bateman) and party-animal actor (Reynolds). What follows plays like a greatest-hits medley of the genre, shot through with a steadily escalating level of filth. (The reveal of Reynolds's girlfriend will not soon be forgotten/expunged.) Adept as the leads are, they also leave room in the spotlight for some killer supporting players, including Alan Arkin, Olivia Wilde, and especially Apatow vet Leslie Mann, who delivers two lengthy monologues that veer from sympathetic to gloriously bent without missing a beat. High art it most definitely ain't, but The Change-Up lands squarely in the borderland between offensive and hilarious, where the best shock comedies reside. You'll laugh until you gag, and vice versa. --Andrew WrightA behind-the-scenes mystery at the World Series from bestseller John Feinstein.
Bestselling author, journalist, and Edgar Award winner John Feinstein is back with another high-stakes sports mystery. Teen reporters Stevie Thomas and Susan Carol Anderson are covering baseball's World Series, and during the course of an interview with a new hot pitcher, they discover more than a few contradictions in his life story. What's he hiding? An embarrassing secret? A possible crime? Let the investigation begin!

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In a sweeping narrative, the author of the megabestseller A Beautiful Mind takes us on a journey through modern history with the men and women who changed the lives of every single person on the planet. It’s the epic story of the making of modern economics, and of how economics rescued mankind from squalor and deprivation by placing its material fate in its own hands rather than in Fate.

Nasar’s account begins with Charles Dickens and Henry Mayhew observing and publishing the condition of the poor majority in mid-nineteenth-century London, the richest and most glittering place in the world. This was a new pursuit. She describes the often heroic efforts of Marx, Engels, Alfred Marshall, Beatrice and Sydney Webb! , and the American Irving Fisher to put those insights into actionâ€"with revolutionary consequences for the world.

From the great John Maynard Keynes to Schumpeter, Hayek, Keynes’s disciple Joan Robinson, the influential American economists Paul Samuelson and Milton Freedman, and India’s Nobel Prize winner Amartya Sen, she shows how the insights of these activist thinkers transformed the worldâ€"from one city, London, to the developed nations in Europe and America, and now to the entire planet. In Nasar’s dramatic narrative of these discoverers we witness men and women responding to personal crises, world wars, revolutions, economic upheavals, and each other’s ideas to turn back Malthus and transform the dismal science into a triumph over mankind’s hitherto age-old destiny of misery and early death. This idea, unimaginable less than 200 years ago, is a story of trial and error, but ultimately transcendent, as it is rendered here in a stunning and moving narrat! ive.Sony's XL-2400 replacement lamp for the KDF-55E2000, KDF-5! 0E2000, KDF-46E2000, KDF-E42A10 and KDF-E50A10 Grand WEGA 3LCD rear projection HDTV.

Demonlover (Unrated)

  • Olivier Assayas' Demonlover takes us deep into the underbelly of the illicit and financially lucrative world of 3D animated pornography. With billions at risk, Diane (Connie Nielsen) is hired into a high stakes game of espionage, which leads her to the twisted world of the Hellfire Club, an interactive torture website. Her bid to gain fortune quickly becomes a frantic race to survive as she is
The most fearless film yet by France's idiosyncratic Olivier Assayas (Irma Vep) is an unholy marriage of ruthless corporate thriller and sinister science fiction. Connie Nielsen is the American "ice princess" in a French multination, an ambitious executive whose betrayals and invasive tactics would make her a villain in any other film. Here she's just a pawn in a shadowy conspiracy that may involve contemptuous new assistant Chloe Sevigny and fellow dealmaker Charles Berling and takes her from th! e legal (if unsavory) commerce of Japanese Internet porn to the brutal market of underground pornography. Assayas directs his modern corporate nightmare with a voyeuristic style, a hard eye for disturbing images, and more passion than explanation. It isn't his most audience-friendly film, but his portrait of international commerce and image culture in the 21st century is impassioned and haunting--cinema for viewers hungry for ambitious and provocative filmmaking. --Sean AxmakerThe film captures a culture spiraling out of control in which reality is posited as a video game and where every twist escalates the film to a new level.The most fearless film yet by France's idiosyncratic Olivier Assayas (Irma Vep) is an unholy marriage of ruthless corporate thriller and sinister science fiction. Connie Nielsen is the American "ice princess" in a French multination, an ambitious executive whose betrayals and invasive tactics would make her a villain in any other film. H! ere she's just a pawn in a shadowy conspiracy that may involve! contemp tuous new assistant Chloe Sevigny and fellow dealmaker Charles Berling and takes her from the legal (if unsavory) commerce of Japanese Internet porn to the brutal market of underground pornography. Assayas directs his modern corporate nightmare with a voyeuristic style, a hard eye for disturbing images, and more passion than explanation. It isn't his most audience-friendly film, but his portrait of international commerce and image culture in the 21st century is impassioned and haunting--cinema for viewers hungry for ambitious and provocative filmmaking. --Sean Axmaker

Dorian Gray

  • DORIAN GRAY (DVD MOVIE)
Jessica Biel, Colin Firth, Kristin Scott Thomas and Ben Barnes bring Noël Coward's witty comedy of manners magnificently to life in this "deliciously cheeky" (Ella Taylor, The Village Voice) adaptation from director Stephan Elliott (The Adventures of Priscilla, Queen of the Desert). When British playboy John brings his new wife Larita - a race car-driving feminist from Detroit - home to meet the family at their country estate, pretty much everyone's expectations are disappointed. His snooty mother is offended by Larita's carefree American ways, while Larita does everything she can to get her mother-in-law to loosen up, which only annoys her even more. John's sisters have diametrically opposed feelings about their new sister-in-law, but his father is intrigued to have finally found another who sees through the family's façade - and takes great perverse p! leasure in watching his wife meet her match.A lighthearted adaptation of a Noel Coward play set in the late 1920s, Easy Virtue stars Jessica Biel as Larita, an adventurous American who marries John, the naive, British heir (Ben Barnes) to a crumbling family estate. Whisked into the less-than-receptive bosom of John's kin, Larita soon finds herself drawing the scorn of her mother-in-law (Kristin Scott Thomas), who would have preferred John marry a longtime sweetheart from his own genteel community rather than a brash Yankee. Eager to move to London, Larita knows the longer a post-honeymoon John visits his family the harder it will be for the newlyweds to live on their own terms, and she's right. Giving up on any notion of fitting in, Larita suffers a few embarrassments before fighting back. But nothing can help her once a past scandal encroaches on her dream of happiness.

Co-writer and director Stephan Elliott (The Adventures of Priscilla, Queen of the Desert) keeps everything breezy and fun, though the clashes between! Larita and her malicious mother-in-law are keenly felt. Elliott's period sensibility is very strong, not least of all his appreciation of John's father (Colin Firth), a restless intellectual and member of the so-called Lost Generation of World War I veterans. Firth's performance as a man distanced from his family's preoccupations and material woes is a real highlight of Easy Virtue. When he dances a tango, late in the story, one can see years of repressed desire erupt in him. --Tom Keogh


Stills from Easy Virtue (Click for larger image)











Jessica Biel, Colin Firth, Kristin Scott Thomas and Ben Barnes bring Noël Coward's witty comedy of manners magnificently to life in this "deliciously cheeky" (Ella Taylor, The Village Voice) adaptation from director Stephan Elliott (The Adventures of Priscilla, Queen of the Desert). When British playboy John brings his new wife Larita - a race car-driving feminist from Detroit - home to meet the family at their country estate, pretty much everyone's expectations are disappointed. His snooty mother is offended by Larita's carefree American ways, while Larita does everything she can to get her mother-in-law to loosen up, which only annoys her even more. John's sisters have diametrically opposed feelings about their new sister-in-law, but his father is intrigued to have finally found another who sees through the family's façade - and takes great perverse pleasure in watching his wife meet her m! atch.




Stills from Easy Virtue (Click for larger image)











Alfred Hitchcocks Easy Virtue DVD!After divorcing an abusive husband Innocent woman makes a valiant effort at beginning her new life. But can not escape the incidents surrounding her past. This is a wonderful early Hitchcock work.A divorcée hides her scandalous past from her new husband and his family.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy wi! ll apply.Studio: Osiris Entertainment Llc Release Date: 02/11/2010Blackmail (1929 | B&W)
When Frank's job at Scotland Yard comes between them, Alice accepts a date with another man. The handsome artist invites Alice to pose for a portrait but then tries to assault her. She kills him in self-defense. Assigned to the case, Detective Frank soon learns the identity of the killer, but so has someone else... During production of this silent feature, Hitchcock added dialog with the advent of talking pictures in America, making this England's first talkie.

Easy Virtue (1927 | B&W | Silent)
After divorcing an abusive husband, an innocent woman makes a valiant effort at beginning her life anew, but she cannot escape the incidents surrounding her past. Directed by Alfred Hitchcock, featuring a newly recorded score. Based on a play by Noel Coward. Cast members include Isabel Jeans, Franklin Dyall and Eric Bransby Williams.

Special Edition
Includes an introduction by Tony Curtis and a bonus clip of ! the orig inal theatrical trailer
from Hitchcock's film, "Rear Window", with James Stewart and Grace Kelly.
Digitally mastered from the best available sources for the highest quality possible.

MENU languages: English / Spanish / Chinese / Japanese
Subtitles: Spanish / Chinese / Japanese

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

Two-time Oscar® nominee Colin Firth turns in a riveting performance as a widower desperately trying to hold his family together after tragedy threatens to tear them apart. Searching for a fresh start, Joe (Firth) moves with his two daughters from Chicago to the Italian town of Genoa. Seduced by the ancient city, each find themselves lost in an alluring paradise where souls stir and spirits linger.

Bonus Features:
Cast/Crew Interviews, Behind-the-Scenes Footage.An American family moves to Italy to start over in Michael Winterbot! tom's A Summer in Genoa. The film has hardly begun when Marianne (Hope Davis) dies in a car crash, leaving behind her academic husband, Joe (Colin Firth, very good), and their daughters, Kelly (The O.C.'s Willa Holland) and Mary (Dark Water's Perla Haney-Jardine). Five months later, British-born Joe exchanges modern Chicago for medieval Genoa, where Harvard classmate Barbara (Catherine Keener) shows the trio around the city. While Joe teaches, the girls take piano lessons, but other things remain much the same. Mary, who feels responsible for the accident, continues to receive visitations from her mother's ghost, and Kelly sneaks out to canoodle with a Vespa-riding Lothario. As the weeks pass, the sisters grow further apart, not least because Kelly also blames her younger sister. Winterbottom contrasts Kelly's romance with a possible relationship between Joe and Barbara, except he expresses greater interest in an attractive student with a more direct ap! proach. Not counting the opening and closing scenes, however, ! both of which involve automobiles, the director concentrates on the rhythms of life for three people grieving in their own way, rather than using a series of incidents to build to a cathartic conclusion, making Summer one of his more subtle, if less eventful efforts. The extra feature offers behind-the-scenes footage and a 21-minute featurette, in which the filmmaker says he took inspiration from Nicolas Roeg's chilling Don't Look Now, in which a couple moves to Venice to mourn a loss. --Kathleen C. FennessyForever young. Forever cursed. Based on the acclaimed novel by Oscar Wilde. Upon arriving in London, the young and powerful Dorian Gray (Ben Barnes) becomes drawn into a world of debauchery and decadence by Lord Henry Wotton (Colin Firth). Desperate to preserve the beauty captured in his exquisite portrait, Dorian trades his soul for eternal youth â€" leading him down a path of wickedness and murder in order to protect his horrifying secret.

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Freelance writer Jaine Austen is not your typical Los Angelino. She's not rich, she's not thin, and she's definitely not starstruck. She is a sarcastic, sometime-sleuth who's never met a carb she didn't like...or a mystery she couldn't solve...If clothes make the man, then what do Jaine's elastic-waist pants and T-shirts make her? A fashion nightmare, according to her neighbour, Lance. She doesn't expect Lance - who works in the designer shoe department at Nieman Marcus - to understand...which is how she ends up visiting his favourite boutique, Passions. While the couture is definitely not for Jaine, the staff's gossip is. Tiny orange-haired clerk! Becky starts complaining about her co-worker Giselle - a.k.a. "Frenchie" - a brittle blonde who, when she's not making fun of customers behind their backs, adds extra-marital notches to her Chanel belt. Though Jaine doesn't land a new look, she does land a new job when Passions' owner gives her a chance to write their new magazine ads. But when Jaine arrives the next morning to pitch her ideas, she finds Frenchie pitched over, stabbed in the neck by one of her own stilettos. Now all Jaine has to do is figure out who hated Frenchie the most, in a case of death by designer knock-off...Freelance writer Jaine Austen is not your typical Los Angelino. She's not rich, she's not thin, and she's definitely not starstruck. She is a sarcastic, sometime-sleuth who's never met a carb she didn't like… or a mystery she couldn't solve...

If clothes make the man, then what do Jaine's elastic-waist pants and T-shirts make her? A fashion nightmare, according to her neighbor, Lance. She ! doesn't expect Lance--who works in the designer shoe departmen! t at Nie man Marcus--to understand...which is how she ends up visiting his favorite boutique, Passions. While the couture is definitely not for Jaine, the staff's gossip is. Tiny orange-haired clerk Becky starts complaining about her co-worker Giselle--a.k.a. "Frenchie"-- a brittle blonde who, when she's not making fun of customers behind their backs, adds extra-marital notches to her Chanel belt. Though Jaine doesn't land a new look, she does land a new job when Passions' owner gives her a chance to write their new magazine ads.

But when Jaine arrives the next morning to pitch her ideas, she finds Frenchie pitched over, stabbed in the neck by one of her own stilettos. Now all Jaine has to do is figure out who hated Frenchie the most, in a case of death by designer knock-off...

Freelance writer Jaine Austen is not your typical Los Angelino. She's not rich, she's not thin, and she's definitely not starstruck. She is a sarcastic, sometime-sleuth who's never met a carb she didn't ! like… or a mystery she couldn't solve...

If clothes make the man, then what do Jaine's elastic-waist pants and T-shirts make her? A fashion nightmare, according to her neighbor, Lance. She doesn't expect Lance--who works in the designer shoe department at Nieman Marcus--to understand...which is how she ends up visiting his favorite boutique, Passions. While the couture is definitely not for Jaine, the staff's gossip is. Tiny orange-haired clerk Becky starts complaining about her co-worker Giselle--a.k.a. "Frenchie"-- a brittle blonde who, when she's not making fun of customers behind their backs, adds extra-marital notches to her Chanel belt. Though Jaine doesn't land a new look, she does land a new job when Passions' owner gives her a chance to write their new magazine ads.

But when Jaine arrives the next morning to pitch her ideas, she finds Frenchie pitched over, stabbed in the neck by one of her own stilettos. Now all Jaine has to do is figure out who hated Frenc! hie the most, in a case of death by designer knock-off...

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